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    Les mariés de l’an II (Jean-Paul Rappeneau, 1971)

    En 1793, un homme qui était en Angleterre depuis cinq ans revient en France pour divorcer de son épouse.

    La fantaisie naturelle et l’abattage de Jean-Paul Belmondo plus à sa place ici que Noiret dans La vie de château ou Olivier Martinez dans Le hussard sur le toit compensent le côté mécanique et artificiel propre aux comédies, certes toujours menées tambour battant, de Jean-Paul Rappeneau. Les personnages et le récit restent superficiels mais ce mixte improbable (et affadi) entre Quatrevingt-treize et Cette sacrée vérité est un film plaisant qui bénéficie en outre d’un joli thème musical de Michel Legrand.

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